Night Owl Reviews Writing Advice

 

For all you writers out there – I give monthly writing advice on Night Owl Reviews! Check it out if you want to up your author game:

 

May 2018:

3 Reasons Why You Should Never Skip The Inciting Incident

Maybe I’ve been cursed by the book gods and need to sacrifice another virgin at the secret blood altar they keep in my local library’s basement (all the best libraries have one), but I’ve had crap luck with books lately. I’ve DNF’d the last four out of five books I’ve read, primarily for story mechanics issues. They’ve either dragged or didn’t establish a solid foundation before jumping into the action, or just weren’t very compelling stories…

 

April 2018:

What You Absolutely Need To Know Before You Start Writing

In my last article, I discussed how authors often fall into the trap of obsessing over irrelevant character details at the expense of info that matters. You don’t need to know everything about a character, only certain critical details: desires, strengths, and weaknesses. The same holds true for starting a story: you don’t need to know everything, only certain things…but you NEED to know those key things…

 

March 2018:

The Only Thing You Really Need To Know About Your Characters

Please don’t tell me you’ve got a binder or notebook stuffed with pictures you found on the Internet of what your main characters look like, along with facts about them like their favorite color, the first song they danced to, their ideal vacation spot, etc. I mean, you can do that if you’re bored…okay I did that on my website as part of a promotion for my book Reckoning. But don’t mistake this for character development, because it’s not…

 

February 2018:

How to Write a Compelling Villain

Crack open any Storytelling 101 book and it’ll tell you conflict is your story’s engine. Every story since the history of forever has centered around someone trying to solve a problem; otherwise, it’s not a story so much as a series of anecdotes, or an aside, or your drunk uncle’s ramblings.

Stories which lack a strong central conflict feel weak or meandering…

 

January 2018:

How to Use Fiction to Tell the Truth

What if I told you the best fiction was all about telling the truth?

“But Shana, it’s fiction!” you might respond. “It’s not real! How is my erotic paranormal romance about shapeshifting unicorns supposed to tell the truth about anything?”

Well, let me explain…BTW, if YOU have written an erotic paranormal romance about shapeshifting unicorns, PLEASE SEND ME THE BUY LINK ASAP…

 

December 2017:

Four Reasons Why You (Probably) Shouldn’t Bother Writing Short Stories

I started my literary career writing short stories; thought that was my niche since I’ve got lots of ideas for which the short form is the perfect medium. Turns out short stories have their uses, but establishing your writing bona fides is not one of them.

I’ve written almost a dozen short stories and had most of them published. Here are some truisms/advice from someone who’s toiled in the trenches of the short story market…

 

November 2017: 

Breaking Down What a Story Actually Is…And What It Isn’t

No writing workshop is complete without a definition of a story explained to the audience of aspiring authors. They come in flavors from simple to complicated, though I prefer the simple ones.

A plot is not a story! A plot is a series of events that forms an overarching narrative with a beginning, middle, and end. A plot is stuff that happens. A story is stuff that happens for a reason, which is provided by the characters. At its very basic elements, a story is “plot plus characters.”…

 

October 2017:

Baking Literary Bread, Part 3: How To Solve Common Story Problems Using the Recipe

Last time, we discussed the correct order and ratio of all the necessary ingredients for a successful story: hook (page 1) -> inciting incident (anytime before plot point 1) -> plot point 1 (PP1; 20-25% mark) -> midpoint (50% mark) -> plot point 2 (PP2; 75% mark) -> climax/denoument (last 90%).

Knowing the correct order and ratio can solve a lot of issues with a manuscript that readers complain about but authors may have a hard time interpreting. Here are a few ambiguous but common problems decoded into their meaning and solution…

 

September 2017:

Baking Literary Bread, Part 2: The Right Recipe For Success

In my last column, I talked about the critical ingredients to craft a coherent story. You might recall my genius bread-baking metaphor: like a story, there are an infinite number of different kinds of bread you can bake, but all loaves of bread have certain ingredients in common that make it bread rather than cake or pizza. However, just knowing what ingredients to put in isn’t enough. You also need to know the ratio of each, and the order in which they should be added…

 

August 2017:

Baking Literary Bread, Part 1: The Basic Ingredients Every Story Must Have To Succeed

Everybody who’s ever attempted to bake a delicious loaf of bread from scratch knows firsthand the endeavor is part art, part science. The delicate balance of flavors and textures—that’s art. Ensuring the loaf doesn’t dissolve into a puddle of goo—that’s science. There are an infinite number of different kinds of bread you can bake—banana, zucchini, raisin nut, marble wheat, etc.—but they all have certain ingredients in common—flour, baking soda, salt, water—and require a certain order of preparation—mix ingredients, bake, let cool. Without the right ingredients in specific quantities and in the proper order, you end up with the aforementioned inedible goo…

 

July 2017:

How To Write A Good Fight/Sex Scene

Let’s be honest—the vast majority of fight/sex scenes in Hollywood and literature only exist to titillate. Most could be replaced by a sign or sentence that says “And then they have sex,” or “And then they fight.” I lump sex scenes and fight scenes together because the mechanics and purposes of both are very similar…

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