{"id":1392,"date":"2017-10-19T20:37:47","date_gmt":"2017-10-20T00:37:47","guid":{"rendered":"http:\/\/www.shanafigueroa.com\/blog\/?page_id=1392"},"modified":"2019-10-21T00:03:24","modified_gmt":"2019-10-21T04:03:24","slug":"night-owl-reviews-writing-advice","status":"publish","type":"page","link":"http:\/\/www.shanafigueroa.com\/blog\/night-owl-reviews-writing-advice\/","title":{"rendered":"Writing Advice"},"content":{"rendered":"
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I sure hope so, because I’m more than a little crazy, though I think I hide it well. Except for this blog.<\/figcaption><\/figure>\n

How to Self-Publish a Book<\/a><\/h2>\n

(\u2026Is it presumptuous of me to assume I have fans in the double digits?? Probably, but I feel like indulging my massive ego today!)<\/p>\n

I haven\u2019t posted in a while because I\u2019ve been hard at work getting my next novel, The Colonel and Her Sergeant,<\/em> ready for publication on June 14th. I\u2019ll post more about my future Pulitzer Prize winner later…<\/p>\n

5 Reasons Why You (Probably) Shouldn’t Query Literary Agents…And What You Should Do Instead<\/a><\/h2>\n

A few posts back, I answered the question of \u201cShould I hire a professional editor before I self-publish my novel?<\/a>\u201d (TL;DR answer: probably not). In that post, I mentioned I was on the cusp of recommending writers not bother querying literary agents at all.<\/p>\n

After years of personal experience in the self-publishing and traditional publishing worlds, and after hearing about other authors\u2019 experiences, I\u2019ve now officially reached that conclusion\u2014don\u2019t query literary agents. It\u2019ll almost certainly be a negative return on your investment…<\/p>\n

We Need To Talk About\u00a0The Darkest Minds<\/em> and the Importance of Choice<\/a><\/h2>\n

You may have blinked and missed it, but The Darkest Minds<\/em> movie<\/a> released in August 2018 is one of the most recent Young Adult (YA) dystopia joints adapted from a popular novel to crash and burn at the box office<\/a>.<\/p>\n

Cue the proclamations from on-high that the YA dystopia genre is dead. DEEEEAAAAD!!<\/p>\n

But it\u2019s unfair to blame an entire genre for the failure of an individual movie. While the Han Solo<\/a> movie also performed below expectations nobody declared science fiction dead, or that thrillers were dead when The Snowman<\/em><\/a> garnered scathing reviews. The Darkest Minds<\/em> didn\u2019t fail because audiences don\u2019t want YA dystopias, but because it was a bad movie<\/em> that flunked the basics of Storytelling 101…<\/p>\n

5 Things You Absolutely Need to Know Before You Start Writing<\/a><\/h2>\n

In my last article, I discussed how authors often fall into the trap of obsessing over irrelevant character details at the expense of info that matters. You don\u2019t need to know everything about a character, only certain critical details: desires, strengths, and weaknesses. The same holds true for starting a story: you don\u2019t need to know everything, only certain things\u2026but you NEED to know those key things…<\/p>\n

3 Reasons Why You Should Never Skip the Inciting Incident<\/a><\/h2>\n

Maybe I\u2019ve been cursed by the book gods and need to sacrifice another virgin at the secret blood altar they keep in my local library\u2019s basement (all the best libraries have one), but I\u2019ve had crap luck with books lately. I\u2019ve DNF\u2019d the last four out of five books I\u2019ve read, primarily for story mechanics issues. They\u2019ve either dragged or didn\u2019t establish a solid foundation before jumping into the action, or just weren\u2019t very compelling stories. I\u2019m a slow-as-shit reader, so slogging through a book I\u2019m not that into can take weeks to reach the payoff of a \u201cmeh\u201d experience. If a book doesn\u2019t hook me within the first ~30%, I peace out and move on…<\/p>\n

Do You Need A Professional Editor?<\/a><\/h2>\n

Say you\u2019re finished writing a book\u2014congrats! You\u2019ve made a few editing passes through it, roped a few of your friends and relatives into reading it, gotten their feedback, and tweaked it into what you think is an acceptable form to show to the world at large. Maybe you\u2019ve even queried a handful of literary agents and received either \u201cThanks but no thanks\u201d rejections or (more likely) radio silence…<\/span><\/p>\n

How to Create “Real” Characters<\/a><\/h2>\n

Characters in your heard are not real people<\/strong>, no matter what a platitude typed in Corsiva font scrolled across a picture of a quill tells you. They are not people, and they don\u2019t do anything you don\u2019t make them do. To think otherwise is to have a fundamental break with reality, and please see your doctor to adjust your medication dosage accordingly…<\/p>\n

Good Books To Read If You Wanna Be a (Better) Writer<\/a><\/h2>\n

Writers are always giving out advice on how to write, assuming for some reason that people care. I mean, you don\u2019t see doctors prattling on to whoever will listen about the best ways to reset a bone or writing blog posts about identifying infectious diseases.<\/p>\n

Maybe writing is unique in the sense it seems like something everyone should be capable of doing. With some sad exceptions, everybody is literate, everybody\u2019s got \u201cWhat if\u2026?\u201d story ideas, and everybody can tell a good story from a bad one. And yet only a tiny handful of people can sit down and complete a coherent story; even fewer a GOOD coherent story…<\/p>\n

The Most Misunderstood “Rules” of Writing, Part 2: Grammatical Correctness<\/a><\/h2>\n

I used to wonder what was more important\u2014wordsmithing or storytelling. This was when I was on my O. Henry Prize kick, reading dozens of beautifully written short stories that received high praise despite lacking plots or any deep meaning (to me, anyway). As a result, for a while I believed wordsmithing was more important and focused a lot on improving my prose. Then I realized short stories were a career dead end<\/a> and began focusing on novels, where I came to the opposite conclusion…<\/p>\n

The Most Misunderstood “Rules” of Writing, Part 1: Show, Don’t Tell<\/a><\/h2>\n

I\u2019m generally of a mind that rules are lame. You don\u2019t know how much trouble I\u2019ve ended up in because of this attitude, being a military member and all. Example:<\/p>\n

Me: Why can\u2019t I put my hands in the pockets of my uniform? It\u2019s winter and it\u2019s cold.<\/p>\n

Severe-Looking Instructor: Because it\u2019s unprofessional.<\/p>\n

Me: Frostbite is also unprofessional.<\/p>\n

Severe-Looking Instructor: Drop and give me twenty.<\/p>\n

I understand you can\u2019t have a functioning society without rules. My beef is that many rules are arbitrary or unnecessary, or were made because one jerk screwed it up for everybody else, like the guy caught playing pocket pool in front of the general (and now my hands are forever cold, thanks asshole)\u2026<\/p>\n

3 Reasons Why You Should Never Skip The Inciting Incident<\/a><\/h2>\n

Maybe I\u2019ve been cursed by the book gods and need to sacrifice another virgin at the secret blood altar they keep in my local library\u2019s basement (all the best libraries have one), but I\u2019ve had crap luck with books lately. I\u2019ve DNF\u2019d the last four out of five books I\u2019ve read, primarily for story mechanics issues. They\u2019ve either dragged or didn\u2019t establish a solid foundation before jumping into the action, or just weren\u2019t very compelling stories…<\/p>\n

What You Absolutely Need To Know Before You Start Writing<\/a><\/h2>\n

In my last article, I discussed how authors often fall into the trap of obsessing over irrelevant character details at the expense of info that matters. You don\u2019t need to know everything about a character, only certain critical details: desires, strengths, and weaknesses. The same holds true for starting a story: you don\u2019t need to know everything, only certain things\u2026but you NEED to know those key things…<\/p>\n

The Only Thing You Really Need To Know About Your Characters<\/a><\/h2>\n

Please don\u2019t tell me you\u2019ve got a binder or notebook stuffed with pictures you found on the Internet of what your main characters look like, along with facts about them like their favorite color, the first song they danced to, their ideal vacation spot, etc. I mean, you can do that if you\u2019re bored\u2026okay I did that on my website<\/a> as part of a promotion for my book Reckoning<\/a>. But don\u2019t mistake this for character development, because it\u2019s not…<\/p>\n

3 Easy Steps to Write a Compelling Villain<\/a><\/h2>\n

Crack open any Storytelling 101 book and it\u2019ll tell you conflict is your story\u2019s engine<\/strong>. Every story since the history of forever has centered around someone trying to solve a problem; otherwise, it\u2019s not a story so much as a series of anecdotes, or an aside, or your drunk uncle\u2019s ramblings.<\/p>\n

Stories which lack a strong central conflict feel weak or meandering…<\/p>\n

How to Use Fiction to Tell the Truth<\/a><\/h2>\n

What if I told you the best fiction was all about telling the truth?<\/p>\n

\u201cBut Shana, it\u2019s fiction!<\/em>\u201d you might respond. \u201cIt\u2019s not real! How is my erotic paranormal romance about shapeshifting unicorns supposed to tell the truth about anything?\u201d<\/p>\n

Well, let me explain\u2026BTW, if YOU have written an erotic paranormal romance about shapeshifting unicorns, PLEASE SEND ME THE BUY LINK ASAP…<\/p>\n

4 Reasons Why You (Probably) Shouldn’t Bother Writing Short Stories<\/a><\/h2>\n

I started my literary career writing short stories; thought that was my niche since I\u2019ve got lots of ideas for which the short form is the perfect medium. Turns out short stories have their uses, but establishing your writing bona fides is not one of them.<\/p>\n

I\u2019ve written almost a dozen short stories and had most of them published. Here are some truisms\/advice from someone who\u2019s toiled in the trenches of the short story market…\u00a0<\/em><\/p>\n

Breaking Down What a Story Actually Is\u2026And What It Isn\u2019t<\/a><\/h2>\n

No writing workshop is complete without a definition of a story explained to the audience of aspiring authors. They come in flavors from simple to complicated, though I prefer the simple ones.<\/p>\n

A plot is not a story!<\/strong> A plot is a series of events that forms an overarching narrative with a beginning, middle, and end. A plot is stuff that happens. A story is stuff that happens for a reason<\/strong>, which is provided by the characters. At its very basic elements, a story is \u201cplot plus characters.\u201d…<\/p>\n

Baking Literary Bread, Part 3: How To Solve Common Story Problems Using the Recipe<\/a><\/h2>\n

Last time, we discussed the correct order and ratio of all the necessary ingredients for a successful story: hook<\/strong> (page 1) -> inciting incident<\/strong> (anytime before plot point 1) -> plot point 1<\/strong> (PP1; 20-25% mark) -> midpoint<\/strong> (50% mark) -> plot point 2<\/strong> (PP2; 75% mark) -> climax\/denoument<\/strong> (last 90%).<\/p>\n

Knowing the correct order and ratio can solve a lot of issues with a manuscript that readers complain about but authors may have a hard time interpreting. Here are a few ambiguous but common problems decoded into their meaning and solution…<\/p>\n

Baking Literary Bread, Part 2: The Right Recipe For Success<\/a><\/h2>\n

In my last column, I talked about the critical ingredients to craft a coherent story. You might recall my genius bread-baking metaphor: like a story, there are an infinite number of different kinds of bread you can bake, but all loaves of bread have certain ingredients in common that make it bread rather than cake or pizza. However, just knowing what ingredients to put in isn\u2019t enough. You also need to know the ratio of each, and the order in which they should be added…<\/p>\n

Baking Literary Bread, Part 1: The Basic Ingredients Every Story Must Have To Succeed<\/a><\/h2>\n

Everybody who\u2019s ever attempted to bake a delicious loaf of bread from scratch knows firsthand the endeavor is part art, part science. The delicate balance of flavors and textures\u2014that\u2019s art. Ensuring the loaf doesn\u2019t dissolve into a puddle of goo\u2014that\u2019s science. There are an infinite number of different kinds of bread you can bake\u2014banana, zucchini, raisin nut, marble wheat, etc.\u2014but they all have certain ingredients in common\u2014flour, baking soda, salt, water\u2014and require a certain order of preparation\u2014mix ingredients, bake, let cool. Without the right ingredients in specific quantities and in the proper order, you end up with the aforementioned inedible goo…<\/p>\n

How To Write A Good Fight\/Sex Scene<\/a><\/h2>\n

Let\u2019s be honest\u2014the vast majority of fight\/sex scenes in Hollywood and literature only exist to titillate. Most could be replaced by a sign or sentence that says \u201cAnd then they have sex,\u201d or \u201cAnd then they fight.\u201d I lump sex scenes and fight scenes together because the mechanics and purposes of both are very similar…<\/p>\n","protected":false},"excerpt":{"rendered":"

How to Self-Publish a Book (\u2026Is it presumptuous of me to assume I have fans in the double digits?? Probably, but I feel like indulging my massive ego today!) I haven\u2019t posted in a while because I\u2019ve been hard at work getting my next novel, The Colonel and Her Sergeant, ready for publication on June … <\/p>\n

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